When I started this blog I was just starting my career, on two fronts. I was just starting to try to take illustration and design a little bit more seriously. I had also just started my first proper job, a role on a grad scheme, in London.

 

That was over two years ago now. I’ve been through that grad scheme, I’ve learned a lot about communications, about digital, about consulting, about design, about what I want out of a career. I’ve also now spent a full year in my role as a consultant at Transform, but what that means day to day is always shifting and evolving.

 

Now, I’ve spoken a little bit on here and in an interview with Lecture in Progress about what I do. But I thought it was worth explaining properly, because when I started this blog I had no idea what the kinds of roles out there really were, or what I wanted to do.

 

I think it’s hard to imagine a role when you only know what the title is, or if you haven’t interacted with the industry. By that I mean, it’s probably not too hard to imagine what a waitress’s role would involve because we’ve all been to a coffee shop or a restaurant, but it’s much harder to imagine what a food specifications technologist might do, even though it’s still about what would end up on our plates.

I’m not a food specifications technologist (if anyone is please let me know what you do!) I’m a consultant, AKA the vaguest job title in the world. I work for a company which transforms digital services and strategies. Specifically I work within a team that designs services – everything from Argos’s click and collect to being able to appeal a Home Office decision online.

 

What that means day to day is that I do a number of things, mainly focused on research and analysis. A big chunk of my days are centred around talking to people (as an introvert this is probably a weird choice of career path I know) and asking them about how they do their jobs or use certain services. I analyse what motivates them, what things they struggle with and can be improved, what works well, and how they’ll likely use whatever service I’m working on. I then take that information back to a team who I work with to develop a plan for a service (everything from what the process will be to how staff are trained), then feed into its development (the coding of the digital bit) and improvement. It’s a job that’s about learning about lots of different people and translating what you’ve learned into a service that hopefully helps them.

 

I work in small project based teams. That means we work in a very focused way around one problem for a fixed period of time. This has pros and cons. I really like project work where you get your teeth stuck in, and all work together to a common goal. You never get bored and have the opportunity to become a temporary expert in lots of different things. But that means you never have too much of a routine, from how your day goes, where you work, or even just having a desk to yourself.

 

I’ve worked on all kinds of projects from public services, to internal business and government processes, to things for retail. Personally, I always find the public services the most rewarding, because you have the opportunity to really help people, and to do so on a much bigger scale. But they’re also the projects that can be the trickiest to navigate.

 

So, that’s what I do right now. I don’t know if it’s what I’ll always be doing, but it’s keeping me on my toes and pushing me to grow and I think that’s what I need for the moment.

I think the one thing that has stuck with me about Meg Wolitzer’s The Female Persuasion is the idea there is a “flame we all believe is flickering inside of us, waiting to be seen and fanned by the right person at the right time.”

 

When I first picked up The Female Persuasion I was expecting something much more about the dynamics of contemporary feminism, something deeply and overtly political. Don’t get me wrong it was definitely about what it means to be a feminist now, but it was so much more about that desire to be seen. That desire is universal but it’s been magnified tenfold for those growing up in today’s society where we’ve been conditioned to believe we can all be stars and that our relationships will be like the movies.

For this month’s alternative cover I wanted to do something simple and bold. I wanted it to say that this is a books which isn’t afraid to take up space, to say something.

The Female Persuasion follows four characters primarily – Greer Kadetsky (our protagonist), Faith Frank (who has been in “women’s movement for decades, a figure who inspires others to influence the world”), Cory Pinto (Greer’s boyfriend), and Zee Einstat (Greer’s college bestfriend). They’re all growing up in their own ways and they’re all experiencing those big moments where one person has an irrevocable impact, positive or negative, on your life.

 

Despite being much longer than most of the books I normally pick up – I find I rarely have the concentration or patience for anything over around 300 pages anymore which is so sad. I thoroughly enjoyed The Female Persuasion, and for a read I found myself desperate to pick up so I could live in the world of its characters it left me with a lot more big questions than I expected as I read.

 

I would highly recommend this one to pretty much anyone. It’s definitely not “women’s book” whatever that may be, but I know that there might be the perception that it would only speak to those of the female persuasion. It raises big societal and personal questions, that I think we all face at some point, in a way that’s supremely human.

 

SOME QUESTIONS TO PONDER AS YOU READ

  • How do you think the different stories play off and support one another?
  • One of the central themes of the novel is mentorship and the power dynamics it involves, have you ever had a mentor?
  • As with every bildungsroman, The Female Persuasion asks a lot of questions around how where we come from can change how we grow up and who we become. How do you think the different characters backgrounds shape the lives they lead?
  • The Female Persuasion features the end of a number of relationships. Is this an inevitable part of the story? Is it an inevitable part of life?

 

IF YOU WANT SOME FURTHER READING TRY…

 

IF YOU WANT MORE BOOKS LIKE THIS HAVE A LOOK AT…

It’s officially autumn, my big coats are down from the wardrobe and I am in my element. Now the weather’s that little bit cooler, it’s the perfect time to stay in and catch up with some reading. So here are my best picks for the month.

stop watch illustration

SHORT READS, IF YOU’VE ONLY GOT A FEW MINUTES:

The Secret History of Ctrl Alt Delete

Ctrl Alt Delete has become ubiquitous with the panic of things not working. It’s the title of at least two novels about life in the digital age. It’s perhaps not the simplest of actions though. But its creator “David Bradley, tells Great Big Story, it was a pain by design.”

An Enemy of Envy

I think we’ve all felt jealous at some point and with the age of instagram and everyone sharing their best lives on the internet it feels inevitable we might be feeling it even more. I really enjoyed Austin Kleon’s words and collected passages on moving beyond envy, however hard that may be, this week.

Can a typeface help your memory?

I’m always game to hear about a new productivity or memory hack, and the “researchers behind the typeface Sans Forgetica claim it can help you remember your notes”.

Dentures illustration

LONG READS, IF YOU WANT SOMETHING TO GET YOUR TEETH STUCK INTO:

Blue Peter: Secrets of the show’s badge room

I spent a lot of my early life wishing and working for a Blue Peter badge. It was the ultimate accolade. As a wonderful article in It’s Nice That says it’s “still given out to children who submit creative work to the programme – a fact which makes us feel oddly warm and fuzzy and like maybe, just maybe, despite Trump and Brexit and global warming and everything, that life is OK.” Earlier this week Blue Peter, and its much coveted badge, as designed by Tony Hart, turned 60 so here’s a look at some of the badge’s secrets.

Home is a Mug of Coffee

I loved Candace Rose Rardon’s illustrated essay on tea last year, so when I saw she’d shared something new on Longreads I had to read and share it with you. So, without further ado, here are her wonderful thoughts on why “It takes a lot of percolating to become your own person.”

It’s Not About “Engagement”: Using Social Media To Make Ideas Happen

I’ve been thinking about how I want to refresh how I do social media for a while now. These tips from “social media mavens, community managers, and grassroots organizers” suggest that “mastering social media means learning how to communicate your ideas with sincerity and passion. It’s not rocket science, it’s reciprocity”.

20 Years In, a Look at Google Doodle’s Milestones and Innovations

Google’s doodles have been going for 20 years now. This piece from Artsy looks at how they became the beloved, Emmy worthy, animations we know today and what might be in store for them in the future.

7 Writers on How Their Go-to Fonts Make Them Feel

What’s your favourite font? It’s a question a surprising number of people (non-design people no less) have a very emotive answer to. “For proof, [Aiga] asked a handful of writers about their typographic preferences” and the answers they gave are wonderful

The Art Practice Dr. Seuss Kept Hidden from the World

I have loved Dr Seuss, as lots and lots of people have, since I was very small. The worlds he would create in a mixture of weird words and wonderful illustrations were just magical. But alongside his great books,  he “spent his nights creating what he called his “midnight paintings,” a part of his practice he kept hidden from public view”. This was work just for himself, and Artsy is offering us a look inside.

WHO TO FOLLOW, IF YOU WANT TO SPRUCE UP YOUR INSTAGRAM FEED:

@margaret_elisabeth

I’ve been really enjoying M. Elisabeth McNair’s short comics on instagram, so I wanted to share them with you. They’re simple and witty and wonderful. She also creates cartoons for the New Yorker so there are some cutting ones in there too.

@lulu.illo

Whether you’re diligently creating, just watching, or are somewhere inbetween, it’s impossible to ignore that inktober is upon us. I’ve been loving seeing what everyone has been making so far this year and Lulu Diemer’s inktober paintings have been some of my favourites – especially the tiny angry dog. It’s also well worth scrolling down her feed to enjoy her more colourful pieces as well as her ink-y wonders.

@guardiandesign

It’s been another politically fraught week, pretty much no matter where you are in the world. So I wanted to share an instagram favourite that really makes you think about how the stories you read are framed, visually. Guardian Design documents The Guardian’s design team’s favourite layouts and takes you behind the scenes of how they put them together.

So you might have heard me shouting about it on social media already, but if you haven’t I’ve given my store and portfolio a bit of a refresh! I’ve designed a line of new products I absolutely love and finally shared some of the work from this year that I’m most proud of.

 

It took me a god while to get going with this update, I’d been meaning to do it for a while. But I kept psyching myself out. I desperately wanted to create pieces I loved and by putting all of that pressure on myself, I ended up being too afraid to start and make that work.

There were 2 things that got me out of that funk. First, I set myself a hard deadline (which I overran a little but that’s not the point) and started to treat myself like one of my own clients. Second, I started making in the tiniest, most ignored sketchbook in my collection. It already had a few drawings in and had seen better days so it came with absolutely no pressure. I could use it as a mind mapping space and as somewhere for my weird little thumbnail sketches.

 

And once I got started it was hard to stop.

 

Here’s a rundown of the new pieces I’ve made especially for the update:

Reflection Cards

I’ve made no secret of the fact that tarot has become a real inspiration and influencing factor in my life recently, so I wanted to make something that really brought that out. So, I’ve made a mini collection of 4 reflection cards. They’re like tarot but without the mysticism for anyone who finds that a bit uncomfortable. They’re perfect for using to reflect on your own day, to display or to send to loved ones in cards to mark big (or little) moments.

Original Ink Drawings

For the first time, aside from my screenprint which I’m still obsessed with, I’ve stepped out of my digital bubble to share some original ink drawings. They’re all capturing themes of things I’ve been reflecting on recently whether that’s the need to look after yourself, our complicated relationships with our bodies, how creativity can be a defence but also a provocation, or just that we need to be kind. They’re not perfect, such is the wonder of making things, by hand but each one is truly unique and a message I want to send out into the world.

A New Christmas Collection

I’ve designed a brand new christmas card and matching patterned wrapping paper for this year. I took inspiration from all of the things I love about the festive season, but I mainly just wanted to capture that warm cozy feeling it brings with it – hence the little knitted mittens.

 

I am genuinely so happy with everything I’ve added to my store. Every piece is something I feel a connection to, and every piece says something. Please go and give them a little love over in my store, they’re all longing for new homes.

Around this time last year I designed a series of ‘podcast posters’ to celebrate some of the podcasts I love. A year on, in a strange manifest your destiny kind of way, I’m designing the real artwork for podcasts I love, most notably Emma Gannon’s Ctrl Alt Delete.

 

The new artwork we worked on together launched a little while ago but it’s still a thrill to see it pop up in my iTunes or when someone shares their favourite episode on social media.

 

Her decision to trust me with her new illustrated branding has kicked off a new wave of work for me, so I thought I’d take you all behind the scenes a little bit and show you how a piece of cover art like this can come together. If you’re interested in your own illustrated cover art or rebrand, I’ve left all the details at the bottom of this post.

 

But let’s get into the good stuff first.

 

Projects like this always start with someone getting in touch with me, and us just having a brief email conversation about what they want. For the Ctrl Alt Delete piece of work, Emma had already put together a great moodboard filled with pieces and colours she liked which was a brilliant guide.

 

Then I take that inspiration and turn it into drafts. Usually these focus on layout and are super sketchy like the ones above, but sometimes they’re more fleshed out. It completely depends on what I’m working on, and what we need to work out as a client-illustrator team.

I send those roughs off and get some guidance on what the client is looking for. In the case of Ctrl Alt Delete we decided to keep it simple and focus on the bright yellow that has become synonymous with Emma’s brand. So I fleshed out the sketch with a more worked up portrait, and went through that cycle of draft and feedback again before adding in the lettering.

 

Then there were just some final tweaks to do before the final artwork was settled, and put into place across Emma’s social media and most importantly on the podcast itself. These final tweaks can make all of the difference, and it’s so so crucial to me that whoever I’m working with is really happy with what they get in the end – especially if it’s got their face on it!

That was where the story ended on this particular piece of work. But I’ve also worked on social media banners and illustrated frames for sharing quotes and guest profiles for similar projects. So the sky really is the limit.

 

If you’ve got a podcast, or any other creative endeavour, and you’d like to chat about what we can do together head on over to my portfolio to see some of my other work or just drop me a line – I’d love to hear from you!