The Immortalists by Chloe Benjamin is the first book I’ve ever read from start to finish on my phone. In a bid to find a reading groove that works for me I’ve been trying out new reading media. By about half way through this one, I was actively looking for any chance I could to pick up my phone, not to scroll blindly through Twitter, but to read. Anything that gets me looking forward to my tube ride is pretty darn powerful, let me tell you.

The Immortalists follows the story of the four Gold children who, in New York’s Lower East Side in 1969, venture out to see a fortune teller to hear the day they will die. It toes the line between page turner and thought provoking depth brilliantly. Essentially Chloe Benjamin asks her readers “If you knew the date of your death, how would you live your life?” Then she gives them a story which is “dazzling family love story and a sweeping novel of remarkable ambition and depth” that “probes the line between destiny and choice, reality and illusion, this world and the next” to make the question a little more real and a little more visceral to ponder.

Benjamin has a way of making what could be ordinary lives feel extraordinary and completely compelling. It’s a book that can make you want to get on the Victoria line in rush hour. This is particularly impressive because you know exactly how the story and in fact each section of the novel will end as they each include the death year of the sibling whose story are about to follow.

I won’t give anything more than what the blurb offers about each of the Gold’s stories so you can enjoy them in full.

Golden boy Simon escapes to the West Coast, searching for love in ’80s San Francisco; dreamy Klara becomes a Las Vegas magician obsessed with blurring reality and fantasy; eldest son Daniel struggles to maintain security as an army doctor post-9/11; and bookish Varya throws herself into longevity research, where she tests the boundary between science and immortality.

I wanted to riff a little on the idea of tarot and predictions as well as mortality in this alternative cover design.

Klara’s story was the one that engaged me most in spite, or perhaps because, of the fact that we’re completely different. I could never imagine myself clinging to a bit of metal with my teeth and falling from a great height with only the strength of my jaws to protect me in the name of magic. But I think hers is the reaction to impending death that would most closely mirror my own. That said, I could understand and empathise with each of the Golds despite them all approaching the same subject in such contrary ways

These wider themes of death and family ties are woven throughout the stories as you start to see the impacts of the prophecy on each sibling’s choices. But they really come to a head in a more overt way in the final section of the novel, where Benjamin stops having her characters ask about death but about life with Varya and her turn to scientific research. That contrast, to being with life at the end of a story, especially when you know exactly how it will end, is what really elevated The Immortalists for me.

This is one I’d recommend to anyone who loves a good story. That’s how much I enjoyed it. Each of the Gold’s stories is more compelling than the next and as I closed the final pages I found myself considering what death means to me in a slightly different way.

 

SOME QUESTIONS TO PONDER AS YOU READ…

  • The four Gold children have very different reactions to finding out when they’ll die, what would you change in your life if you’d visited the fortune teller?
  • Which character, and section of the story, did you engage with the most? Do they align with your own ideas about death?
  • How are the themes of family and death interwoven?
  • The Immortalists begins in 1969, if the Gold’s had been children today how would their lives have been different?
  • With fortune tellers and magicians as major characters, The Immortalists, seems to have at least one hand in a world of more spiritual prediction. What difference would be made if the prediction had come from the fortune teller of today, AI?

IF YOU WANT SOME FURTHER READING TRY…

  • This short review from The Observer claims The Immortalists remains a boundlessly moving inquisition into mortality, grief and passion.
  • For Vox, Constance Grady focuses in on the siblings at the heart of the novel.
  • Fellow author, Jean Zimmerman, says “The reader will likely be thoroughly taken by the world of the Gold siblings, in all its shades of brilliant color. It’s not a totally comfortable realm, since we know all too well how this tale’s going to end, but getting there is lovely” in a review for NPR.
  • Read Chloe Benjamin’s own thoughts on the novel and her writing process in this original essay for Powell’s.

IF YOU WANT MORE BOOKS LIKE THIS HAVE A LOOK AT…

  • Chloe Benjamin’s The Anatomy of Dreams
  • Meg Wolitzer’s The Female Persuasion
  • Sally Rooney’s Conversations with Friends
  • Elena Varvello’s Can You Hear Me?

Right back at the beginning of this blog I created a series of illustrated quotes for international women’s day. To this day it remains one of my favourite posts and it inspired my first postcard collection. That post did so much to inspire me over the last few years, that I wanted to add to the series for this international women’s day with some more quotes from women I admire on feminism, being a woman, and empowering each other.

 

“You have to act as if it were possible to radically transform the world. And you have to do it all the time.” – Angela Davis

 

“Women don’t need to find a voice, they have a voice, they need to feel empowered to use it and people need to be encouraged to listen” – Meghan Markle

 

“I do not wish women to have power over men; but over themselves” – Mary Wollstonecraft

 

“I have chosen to no longer be apologetic for my femaleness and my femininity. And I want to be respected in all of my femaleness because I deserve to be.” – Chimamanda Ngozi Adichie

 

“we all move forward when

we recognize how resilient

and striking the women

around us are” – Rupi Kaur

 

I originally shared a few of these illustrations on my instagram, where I post most of my portraits and quote inspired pieces.

“It keeps me out of trouble.” That’s my standard response whenever someone brings up this blog or my creative side projects more generally.

It’s largely taken as a noncommittal shrug off, a way to accept the interest without having to justify what I make any further. After all, what trouble could I, a blue tick verified square, get into? A big night for me is a glass of wine and taking myself out to the movies.

But there is some truth in the idea that making keeps me out of trouble because making keeps me sitting with my own thoughts too long. If you’re busy you’ve got something other than you (in my case many) worries.

My break from (read reduction in) my creative work over January started to get me thinking about who I would be without the making. What would I do with my time if I just worked 9-5? What other interests would I have? What else would I prioritise? How would I define myself?

The desire to make things is a deep-seated part of my character. As a child, I would set myself holiday craft projects – lego and papermaché spinning music box anyone? I got more fun out of whatever repurposing packaging a gift came in than I did playing with the toy itself.

It’s a character trait that I amplify. It’s one I’m proud of because I’ve worked at it. It’s also that’s sort of come to eclipse the others because I’ve spent so much time on it.

That’s not a bad thing. But who wants to just be one thing? I’m not sure I do. I’m not sure I’m confident enough in that one thing to hang my hat on it either if I’m completely honest with you.

So who would I be without my making?

Well, first off, I guess, I would be defined by my day job. I’m a user researcher.

But that’s just more doing, just in a more corporate, codified, conspicuously accepted form.

So who would I really be without the making?

I’m not sure.

I’m sorry if that’s an anticlimax. But did you really think I was going to be able to define the essence of my character in just one little blog post? Psssh.

That said, I’m not going to leave you with a big ol’ question mark. Here are a few of the questions I’m currently trying to work my way through in the hopes that I’ll come to some sort of an answer of who I am, or at least who I think I’d like to be.

  • What are the qualities that keep you making? Are you ambitious or spontaneous or methodical or hardworking? Are you highly visual or tactile?
  • What are your best qualities? Are you bold? Are you kind? Are you stubborn?
  • What are your worst? Are you timid? Lazy? Is stubbornness your weakness rather than your strength? Why are those your worst traits, could they be your assets too?
  • What are the qualities your friends think are key to your character? Would they say you’re generous? Tough? Empathetic? Funny?
  • What do you value? Are you all about honesty or openness? Do you value things or experiences or relationships?
  • If you had to dedicate the rest of your time and leave all of your earthly possessions to a single entity or pursuit what would it be?

I’m sure there’s a lot to us all beyond those qualities too. But they’re a start. They’re a start to reframing yourself as valuable and overflowing with interesting qualities without having to make. That way when you do pick up your tools you’re doing it to make all of those quirks into something new, rather than making to stay out of trouble, out of your own mind.

 

The roundup is back with a few shiny new graphics but the same collection of my favourite content on the web. I’ve collected up my favourite articles on art, design, creativity and productivity from the last month, plus a few bonus articles.

Short Reads

Angela Rizza conjure’s magic with The Princess Bride

Is there any better movie to go along with a discussion of storytelling than The Princess Bride? This video studio visit with Angela Rizza as she created the artwork for the Criterion Collection’s edition of the film is filled with fairytale wonder.

The interior design of the future will seem like magic

I have no idea what our homes will look like in the future. While I’m not sure I’m on board with walls that change colour in my personal space, the applications of some of this new interior design tech are boundless when it comes to shared and public spaces.

Want to cut your work hours in half? Create an A/B schedule

Coach Andrew Love explains how he plans his own days and encourages tells his clients they need to put on one hat–one role–at a time, and adopt an A/B schedule.

Instead of avoiding what I don’t want, I’m at peace with what I do want

“Most of us are obsessed with what we do not want. We focus on what we desperately must avoid. We are more in control that way, aren’t we?” Alex Mathers on why we need clarity and to lean into what we like rather than away from what we don’t.

Long Reads

Cover Stories

As a book cover lover I was super excited to see The New York Times bring back their Cover Stories series in which book designers discuss their work: concepts that didn’t make the final cut and the cover as published. I always find it fascinating to see the range of ideas that are created, and discarded, before covers hit our shelves or devices.

Stuff they don’t tell you: managing your time

We Transfer’s editorial series ‘Stuff They Don’t Tell You’ looks at all of the things that “creatives [have] to think about beyond having good ideas”. I this edition, James Cartwright considers how we might better manage our time with sensible advice and insights that aren’t wake up at 4am (unless you want to). It’s also worth mentioning that this article is beautifully illustrated by Haejin Park and wonderfully laid out.

In defence of emotional design: Timothy Goodman on his many many feelings

This interview with Timothy Goodman, best known for his Sharpie-style scrawlings of earnest catchphrases like, “Even my feelings have feelings,” discusses making incredibly personal work and sharing feelings as form of activism.

How Seasonal Affective Disorder Impacts Artists’ Productivity

As we hit that point in the winter where I think we’re all, no matter if you may like the colder months, longing for brighter days this article about the effects of seasonal affective disorder on art seemed apt to share. Artsy talks to Psychiatrist Dr. Norman Rosenthal, who worked with colleagues to first coin the term “SAD”, about historical artists and poets, like Emily Dickinson, Wallace Stevens, and Vincent van Gogh, who all recognised “how the changing light affected their moods, and how that influenced their productivity” and what they created.

Reading in the Age of Constant Distraction

In this piece for The Paris Review, Mairead Small Staid reflects on Sven Birkerts’s The Gutenberg Elegies: The Fate of Reading in an Electronic Age, 25 years after its publication.

Eye Candy

@eviemayadams

Evie May Adams makes some of my favourite animal portraits. She gets the texture of fur just right, but more than that she always captures the character of her subject. As well as wonderful portrait she does monochrome ink and tile pieces.

@andrea_m_kollar

Post-valentines day I thought I’d post something along the theme with Andrea Kollar’s nudes. It’s incredible how much she can make of a few simple lines. I could look at them for days.

@carmigrau

Carmigrau is a new follow for me, but I was so taken by how she fills the little square Instagram gives you that I had to share straight away.

 

If you like this monthly round up, you’ll love my newsletter. Every(ish) Sunday I share 2 articles and a social media favourite as well as a short personal essay and some original, often animated, illustrations. So what are you waiting for, sign up!

My alarm clock is my biggest nemesis. I am not a morning person. Every awakening is a rude awakening, but the shrill ringing of my alarm is the rudest. It’s mean and it’s loud and it’s my least favourite sound. But I thought I could use the power of the design story to face my enemy and hopefully learn to appreciate it a little more.

There was a time before the alarm clocks we know and hate. In that magical land that time forgot (not the one with adorable dinosaurs), most people didn’t just sleep all day. So how did they do it?

You could argue that our ancestors were just better in tune with their own bodies and the rhythms of nature. With limited artificial light and being subjected more keenly to the change in temperatures through the day, they went to sleep when the day got dark and rose again when the light did. In nature, animals rely on their circadian rhythms and they get by just fine.

But never to settle with what our mama (nature) gave us, from very early on people have tried to find ways to mark time and set alarms.

One of my favourite pseudo alarm clocks comes from China in the form of candle clocks. These had the benefit of working night or day, unlike sundials. Candles were marked with even gradations. When the candle burned down, each marking would then represent a unit of time. At their chosen marking they would insert nails into the candle. Then when the candle had melted enough the nails would fall from the candle, no longer held in by wax, and create a sound as they fell into the metal tray below.

In 1319, the first chiming of the first church bells was recorded. These acted, essentially, as giant communal alarm clocks, with regular chiming on the hour every hour. Depending on where you were you even got some ringtones as fancy as anything your iPhone will produce thanks to the artists stylings of skilled campanologists.

Leaving behind China’s ingenuity and the artistry of campanology we turn to Britain in the 1800s, where the upper classes quickly came to the realisation – why invent something when you can just pay someone to do to a job for you? Thus, the occupation of knocker-upper was created. Using everything from pea-shooters, to truncheons, to just a good old-fashioned rap on the door, knocker uppers when around the houses of their clients knocking to wake them up. So they were exactly what their name suggests. As the working classes in cities expanded so did the work of knocker uppers. In fact, they were still knocking as late as 1970.

Perhaps that’s because the first mass-produced personal alarm clock didn’t enter the market until the 1870s. If you ask someone on the street to draw you an alarm clock they’re likely to draw you a round face with a bell either side and two little feet. I actually still rely on pretty much exactly this kind of clock – the one you can see below! This clock was originally manufactured in a hand wound form by the Seth E. Thomas Clock Company. But it rose to fame after Thomas’s death in 1859 some time closer to 1900 in the hands of the Wesclox Company. The Westclox alarm had “a mainspring for the time-mechanism, and a bell-spring, for the alarm. They also featured a dial at the top for the user to set the alarm to ring at whatever time they chose. These clocks ran on 36-hour springs, and had to be wound each morning (or evening). The bell-springs generally had to be wound up every two or three days, depending on how deep the sleeper happened to be!

We wouldn’t have the annoying beep-beep beep-beep of the digital alarm clock without the invention of the electrical doorbell in 1831. Joseph Henry’s decision to use a tightly coiled electromagnet to make a high-pitched noise, would change the sound of mornings as well as unexpected guests forever. Well, at least it would in just over 6- years later when Austrian Josef Pallweber got his hands on the buzzer and made it a part of his clocks.

But it seems that many of us have replaced the single use alarm clock with, you guessed it, our smartphones. In a survey by O2, in 2012, 54% of their customers had replaced an alarm clock with their phone. Despite a number of studies telling us not to, telling us not to have our phones be the first thing we see, I would bet that number has increased in the 7 years since that study.

But, whatever form your alarm takes, the elephant in the room of alarm clock we’ve not discussed is why we need them. I hear you saying so that we wake up on time. I hear it, and I raise it another why. Back in the days of relying on church bells and calling cockerels people got up early to make the most of the day light and in many places because morning prayers were seen as particularly spiritual. Then our good friend the industrial revolution came along closely followed by its BFF the 9-5. So instead of following our own circadian rhythms we had a set time we needed to be awake. It was precise. It was mechanical. It was just like our alarm clocks.

I’m not sure I’ll ever love my alarm clock, but I am glad I don’t have to rely on a burning and candles to help me get to work on time. That said I don’t think I’d be hitting snooze quite as often if I had to pay a stranger to knock on my door every morning. I’m just going to stick with my trusty Newgate for now though.