I’ve written a fair amount about self-care, and what it means to me, on this blog over the years. As the concept of self-care out in the world has spread and shifted and morphed so have my thoughts on it and how it’s discussed.

Right now, I can’t shake a looming fear I have around the rhetoric that’s currently getting tied up with self-care.

I think when I first wrote about self-care it came at a moment culturally, and personally, where so many people had become so caught up in performing for others and serving stereotypes that weren’t attainable that we needed to be reminded to stop and look after ourselves in whatever form that took. I found comfort in cooking and walks in the park, in owning, and not feeling guilty about my love of cheesy tv, in dancing with my headphones on.

Then as self-care grew and became something of a cultural zeitgeist in and of itself, rather than just a response to tiredness it became commodified. Everything that’s “cool” becomes commodified, it’s just the world we live in. Every brand and their dog was selling us something to help us look after ourselves that little bit better, as part of what is now a billion dollar industry.

Now as the softest parts of self-care have become commercialised from bubble baths to boxes of individually wrapped snacks, there’s a new edge creeping into how we talk about self-care.

Increasingly I’m seeing on social media is variations on the following statement.

The world doesn’t owe you anything so you don’t owe the world anything in return. You’ve got to look after yourself, that’s the real self care.

The use of the word owe rattled around in my brain for a while. It’s a term that’s been used in conjunction with moral philosophy for a while. The Good Place has certainly popularised T.M. Scanlon’s What We Owe to Each Other. But there’s something that feels more sinister underlying the word, because its most common use is financial.

To owe (verb): have an obligation to pay or repay (something, especially money) in return for something received.

When coming from a generation who grew up in the midst of a financial crisis caused by the selling of bad debt and huge personal loans, the idea of self-care freeing us from a huge obligation we have to repay sounds wonderfully freeing. Who would want to walk around with the burden to repay every kindness we are shown.

Equally, there seems to be a desire to shake the language of being owed. Young people have for centuries been accused of being entitled, but it’s something that seems to be felt particularly acutely today. We can’t afford houses because we don’t work for them, because we’re too busy eating avocado toast. So in accepting responsibility for our own care in its entirety we may be seen to be shaking some of those criticisms.

We are not owed and we do not owe.

It makes sense to me. But it also terrifies me because care doesn’t need to be transactional. Love isn’t transactional. It’s not even always reciprocal. But it is shared.

To take on the burden of all of our own care isolates us from being looked after and we need to be looked after sometimes. As Hugh Grant taught us in About a Boy, no man is an island. It’s as true today as when Hugh said it with his foppish hair in 2002. Whether it’s your mother’s cooking, a friend’s shoulder to cry on, or just a hug after a hard day sometimes we need someone else, and that’s okay. In fact it’s more than okay.

We can look after ourselves. We can be alone and thrive. But accepting care from someone else isn’t a debt.

As soon as we mark out self-care as being our only solution to being emotionally debt free, we create, as a consequence, the care of others as a transaction which comes with obligations.

Self-care is brilliant, it’s important, it’s essential even. But self-care shouldn’t be all we have to sustain ourselves. It’s essential but it isn’t enough.

Before I kick off the first book club post of 2019 I want to take a moment to appreciate the wonders of reading. I’ve read almost half as many books in the first two months of this year as I did all of last year. That’s in part because I’ve been experimenting with how and when I read, but it’s also in part because I’ve realised I really want to embrace the power, and the joy, of reading again. I loved it as a child. I loved it as a student. Then I went to uni and didn’t like it quite so much. Then I seemed to lose my ability to concentrate for more than 2 minutes without scrolling. Then I got busier and busier. But that doesn’t mean I can’t get back to that childlike wonder again. In fact, I’m hoping I might be headed somewhere even better with a much bigger vocabulary and critical toolkit than I ever had aged 12.

But that’s enough of me waxing lyrical about the power of book in general. Let’s talk about one book in particular, the book that’s the focus of this month’s book club Heather Havrilesky’s What if this were enough?. Havrilesky is best known as the writer behind The Cut’s Ask Polly column which offers sage, and sometimes sharp, wisdom to the lost and confused. She turned that column into a previous, critically acclaimed collection of essays. In this new collection of 19 loosely connected essays, Havrilesky picks apart the forces in the world that make us doubt that this, and ultimately we, are enough.

I was drawn to this collection by its title and, ironically, its appearance on the social media profiles of a number of readers whose tastes I trust. Clearly my subconscious was convinced that through reading Havrilesky’s essays, this might be enough. Just one more thing, one more read, and I would be there.

I’m just going to comment on two essays in this review, the two I remember most keenly almost a month after reading the collection, to give you a feel for its content, ‘the happiest place on earth’ and ‘lost treasure’.

In ‘the happiest place on earth’ Havrilesky recalls a trip to Disneyland. She comments on the level of performance and how that performance is viewed once or twice removed through videos on phones. She dissects how Disneyland placates its visitors. She also reconfirms my strong desire never to go to Disney (sorry mouse fans).

‘Lost treasure’ is a classic “another man’s trash” story with a twist. As a child, Havrilesky visited a neighbour who collected what a young Havrilesky viewed as trash, the older woman turned into treasured sculptures. The moral to this one wasn’t just value is in the eye of the beholder, but that we might find more value in the world around us if we ever slowed down and focused enough to pick up trash to turn into art.

For this alternative cover, I wanted something that at once suggested completeness (the circular text) and not the half coloured background. I also wanted to play with the idea of being unsure if something is half full/empty

Havrilesky is clearly an incredibly skilled cultural commentator and writer. She has moments of unchecked privilege and questionable views, like the her decision to deride her friends who checked her book out of the library rather than reading it, but in my opinion she shouldn’t be written off for those flaws. We’ve all got flaws. We all need to learn to be more accepting of others, and ourselves, to accept that we’re all enough if we’re growing.

But I closed What if this were enough? feeling like it wasn’t quite enough. I wanted it to say more. The loose connection between essays left me feeling cold, I needed a conclusion, a pay off. Perhaps that’s the point. Perhaps my unquenchable desire for a “and this is what it all means” is part of the problem. I need an external force to tell me what to do next to accept I’m enough. But perhaps it’s a lack in the collection, and a number of similar essay collections, which are written as almost completely separate essays. Each essay has its own strengths and weaknesses and the collection is just a sum of these, but not more. It’s a set of columns, a stream of twitter threads, a collection not a book as a whole with a clear thread of narrative or argument.

If you’re searching for answers, this book isn’t for you. If you’re looking for a rousing conclusion to let you know you are enough, this book isn’t for you. If you want to know what a world may look like if we decided it was enough, this book isn’t for you. But if you’re looking for erudite commentary on some of the mundane and mind boggling ways we’ve convinced ourselves that this isn’t enough, I think you’ll like this one. It’ll get you thinking, it’ll get you questioning, it may even, if you’re smarter than me, lead you to finding your own conclusions.

 

SOME QUESTIONS TO PONDER AS YOU READ…

  • Are there any essays that stand out to you on a personal level?
  • What conclusions are you able to draw from the essays as a collection? How does being placed next to one another change the meaning of the essays?
  • Did the collection change anything about how you view your own life?
  • If you were to include your own personal anecdote about being enough, or not, what would you include?

IF YOU WANT SOME FURTHER READING TRY…

  • In this review for The Bustle, Sadie Trombetta reflects on how Havrilesky’s essays made her think about what it means to ‘disconnect’
  • This Kirkus review concludes the collection is fun, often insightful read for digital fatalists.
  • Erin Keen concludes the veteran critic and beloved advice columnist’s new collection of essays is a lifeline built of the toughest love

IF YOU WANT MORE BOOKS LIKE THIS HAVE A LOOK AT…

When you were little you could spend hours getting good at what every it was you were in love with doing that day. You would contort your fingers into witchy shapes and claws as you deafened the neighbours learning whatever instrument the school band needed. You would cut and stick and paste and make mess after mess creating your latest masterpiece. You would run until your legs felt like they might fall off playing the hottest playground game. You would learn. You would play.

You would, without knowing it, invest in your own growth.

In fact, almost everything you did when you were little was an investment in growing.

We went to school to learn in an environment which was designed (for better or worse) to help us grow. While no one’s school experience was perfect, and some even less though. But those years were time to invest in our futures. You had time to learn from teachers and learn by playing. The investments we made then have led us all, in part, to where we are now.

We spent all of that time investing in ourselves. As we grow older we seem to spend less effort investing in ourselves than investing time in other people and project. But we are not finite resources.

This year I’m taking a pledge to reverse that balance, as much as I can, to something more like where it was when I was small. I’m going to be a child again and I’m going to get myself back into school for the things I care about. I want to focus on learning, and having fun as I do it.

There are four key pillars to investing yourself and I’ve tried to put them in some familiar educational terms:

  1. Attend some classes – these don’t have to be physical, in 2019 there are plenty of online classes too. Unlike in school, you can choose to learn alone or with other people, however you work best.
  2. Do your homework – so no one really liked homework as a kid, but putting in the extra reading and adding breadth and depth to your interests is so worth it.
  3. Give yourself fresh air – there’s a reason you have so many breaks during the school day. You can’t learn non-stop, you need time to let everything you’ve absorbed percolate. You have to decompress and turn lessons into memories.
  4. Find a playground – you need to experiment. One of the best ways to truly use you new found knowledge is to grow is to take it apart and make it into something new for yourself. While you do that you have to have space to fail as well as succeed.

How are you investing in yourself? We remember best the things we teach others and I’d love for you to turn this into a forum for teaching and growing together.

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“I need a new tshirt” “I need a dress for the summer” “I need more jeans” “I need to invest in upgrading my wardrobe”

All of my internal dialogue about clothes last year, and the year before, and the year before that, has been based around the language of “need”. I convinced myself that new things were a necessity, that this latest item would fill the last chink in how I presented myself. There was a gap in my confidence that clothes could plug. But it wasn’t just a gap, it was a neverending vacuum.

That makes me sound like Rebecca Bloomwood from Confessions of a Shopaholic (a 2009 cinematic classic). I’m not. My wardrobe has never overflowed. My spending has always been within my means. My style isn’t exactly vogue-worthy. Yet still, at the end of 2018 I realised I always had that tickle in the back of my mind that made me want to shop.

The “need” I thought I had for new clothes had been manufactured, cheaply and recklessly (like almost all fast-fashion is) by brands who never really stopped to think about the effect of convincing everyone they are less than complete. I never really needed any new clothes, I’m not sure I have for years now – I’ve not grown since I was about 13. I have enough that I could put together an outfit for every occasion I may possibly need to put an outfit together for, unless someone wants to invite me to the Oscars.

And you know what I am enough no matter what I’m wearing. There is nothing that requires me, that truly requires me, to look a certain way. I would much rather focus on learning and having fun this year. Imagine the time I can claw back without the impulse to refresh ASOS.

So, this year I want to break the cycle. I’m not going to buy any clothes (exceptions will be made for socks) for the whole of 2019.

I know that stopping shopping isn’t going to cure years of being told that consuming more will help me be enough. But I am hoping that going cold turkey on one of the most conspicuous areas of my consumption will help me start to rewire my brain.

It’s a single clear goal with a time frame, so it should be doable.

In order to keep me even more accountable, I’ve undertaken another task that I’ve wanted to do for a long while now; I’ve drawn every item in my wardrobe. This doesn’t include pyjamas or gym wear, but these are all of my outside clothes. I want to review this giant poster of clothes again at the end of the year, to see what I wore, what still sparks joy (yes I’m embracing the KonMari method), and what, if anything, I want to add.

So this is it, everything you’ll see me wearing this year. Although, I hope if we ever meet I can prove more interesting than my clothes.

 

It’s dark. There are children shuffling around me. The air is heavy with an unknown fusty smell. I could really use a trip to the bathroom. But I am grinning ear to ear.

That was me watching the new Mary Poppins film. I was a huge fan of the first and, it will come as no surprise to anyone who has seen my Spotify recently, I loved the modern instalment too. They kept the magic of the Julie Andrews classic and even sprinkled in a few near miraculous cameos too. But before I wax lyrical on how much I loved the film, and its soundtrack. I want to talk about the real thing I’ve taken away from the film. I want to be more Poppins.

We all know that “a spoonful of sugar helps the medicine go down”. Mary Poppins is known for that sugar, for coating her lessons in joyful song. We remember her flying in on an umbrella, her bag of infinite size, and if you’ve seen the Emily Blunt incarnation her ability to bring a ceramic bowl to life.

Famously, P.L. Travers, the author of the books the films are based on, never wanted Mary Poppins to have the saccharine songs and animations which are a big part of the reason they’re known and loved. While the film saved her from bankruptcy, she hated it. She hated it so much it brought her to hot angry tears in the theatre. She wanted Poppins to be as “tart and sharp” as she’d written her, for her to be the pragmatic realist she saw in her aunt, in herself.

While Travers felt that Walt Disney’s Poppins lacked the backbone a nanny needed. But, while we remember the “spoonful of sugar”, Mary Poppins does always insist we take our “medicine”.

There’s always a lesson in her songs. The play room is always cleaned. The children always go to sleep exactly when they’re told.

That’s the true magic of Mary Poppins. It’s not the songs. It’s not the dancing penguins. It’s not even the flying. It’s the way she teaches us to find the joy in the everyday and then just get on with it.

I want to be more Poppins. By that I don’t mean jumping into paintings to escape the streets of London. I want to find ways to find magic in the everyday, to find joy in the work I do while I’m doing it, no matter how hard or how soot covered. Not only that I want to find a way to sing about it. Perhaps not literally, you don’t want to hear me sing, but I want to share that joy wherever I can.